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 Nice-Matin
Review 27/3/01
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Photo: Yuval Zaliouk conducted Mozarts Overture to The
Abduction from the Seraglio with the hand of a master.
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An Excellent Conductor
Yuval Zaliouk
A completely different Mozart set the tone of the concert conducted by the Israeli
guest Yuval Zaliouk, with the overture to The Abduction from the Seraglio
bursting with life and effervescent in movement.
An excellent conductor who, throughout the concert, thrilled the audience with his
precision and his clear and clean attacks. There was a detour into the music of a
contemporary Israeli composer Boris Pigovat, whose short poem "Nigun" makes
voluptuous allusions to traditional Israeli music.
For the finale, the conductor, remarkably well understood and followed by the musicians
of the Orchestre Regional, gave us a sumptuous gift: Beethovens 4th
symphony, nourished with precision, exemplary loyalty and admirably "organized."
It was absolute classicism, free from vain adornments. The music progressed from one
section to another and from instrumentation to another with intense energy. Astonishing. A
great success. |
Aurore Busser |
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TSO Features Mendelssohn, Schubert,
And Brahms
"The chemistry between music and music makers is not an altogether fathomable
one, but it does not take long nor even a trained ear to perceive when this chemistry
works. And most definitely it worked Friday night at the Masonic Auditorium where the
Toledo Symphony Orchestra came fully alive under the baton of guest conductor Yuval
Zaliouk.
"To be sure, while it was mighty cold outside the music of Schubert,
Mendelssohn, and Brahms can always be counted on to deliver both warmth and even heat
if their music is realized artistically rather than mechanically. In the past few
years, too many concerts have suffered from just such a mechanical reproduction of notes.
"But Friday night the orchestra returned to making music. Thus was revealed
the potential of the orchestra reawakened after all it contains some superb
musicians but also what a knowing and most musical conductor I am tempted to
simply say, the right conductor can do and in very short order. I have no idea how
it is done, except to report that the orchestra never sounded better, more confident, more
mature, more balanced in some three years.
"...A true conductor shows his mettle best when called on to accompany such a
reading. Not only did Mr. Zaliouk offer a beautifully balanced accompaniment, but he kept
the music's transparency without ever letting the orchestral playing lose substance. It
called for flexibility and a high degree of empathy. The result was a superb
collaboration.
"...The important thing is that he has immense and telling experience already,
including working with Otto Klemperer. He knows how to make music, there is little doubt
about that, and he does it with a rare elan, enthusiasm, conviction, and style. ..." |
by Boris Nelson, The
Toledo Blade (Toledo, Ohio USA) |
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Zaliouk Named Conductor Laureate
"Maestro Yuval Zaliouk, who ends his tenure as music director/conductor of the
Toledo Symphony at the end of this season, has been awarded the title of conductor
laureate by the Toledo Symphony Board of Trustees.
"In bestowing this honor, the Toledo Symphony joins other orchestras in
recognizing a music director's contributions to the advancement of music in his community.
..." |
The Toledo Blade
(Toledo, Ohio USA) |
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Toledo Brings Orchestra to the People
" "The first thing I said when I got here," says Toledo
Symphony Music Director Yuval Zaliouk, "is that we must bring the orchestra to the
people, rather than bring the people to the orchestra." In keeping with the music
director's populist ideals and the orchestra's stated mission to perform music for as
broad a range of the community as possible, the TSO has launched an innovative
Neighborhood Concerts series, bringing symphonic music to historic churches through the
city and offering programs designed to appeal to various ethnic groups in the community.
"... Response from the general public was enthusiastic and news of the concert
spread throughout the city. Potential sponsors for the following season rapidly turned
into contracted engagements, and the series was born. ..." |
Symphony Magazine |
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| "Yuval Zaliouk emerged as a
conductor specializing in the music of Malcolm Williamson, our new Master of the Queen's
Music. The programme last night was quite varied and included a piece by Williamson, his Epitaphs
for Edith Sitwell, some of his most compelling and pugnacious music, powerfully
performed. Schumann and Shastokovich were also represented, but what chiefly impressed me
was Mr. Zaliouk's distinctive, yet perfectly sound approach to Beethoven and Schubert,
music which is the London Mozart Player's daily bread but which they played with real
freshness. ..." |
The Times (London) |
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| "In addition to his considerable
technique and complete mastery of the score, the young Israeli conductor has a gift for
transmitting his delight with the music and with a composer's unique sense of humor." |
The Daily Telegraph |
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| "Le jeune chef israélien Yuval
Zaliouk, qui conduisait l'Orchestre de la Suisse romande, a une conception fort vivante de
la direction. Il possède à un très haut degré le sens de la couleur et celui du
rythme, associés à enthousiasme communicatif et une chaleur a laquelle on ne saurait
rester indifférent." |
Le Courrier (Geneva) |
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| "This is a most impressive debut
on record. Plainly the pointing of the rhythms comes fundamentally from him, and I can
conceive nothing less like the alleged characteristics of the 'whizz-kid' virtuoso
conductor than this delightfully relaxed and smiling performance. For the first time I
felt that the jaunty Forlane had something of English pastoral in it
perhaps no coincidence, as Zaliouk is reputed to be a great enthusiast for British
music." |
The Gramophone |
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"There was a surprise to the
concert, and a delightful one at that. It was the conducting of Yuval Zaliouk. He was
always in thorough command of the orchestra and has the knack of making old and familiar
works seem new and fresh.
"Last Sunday's version was a shade more dramatic: Zaliouk's somewhat more
lyrical. Both versions were equally valid. But Zaliouk's taut management continues to be
astonishing, especially since the orchestra had played so sloppily just the night
before." |
Detroit Free Press
(Detroit, Michigan USA) |
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| "Glanvoller Aufjakt des
Dormangener Kulturlebens im neuen Jahr war das Sinfoniekonzert der Philharmonia Hungarica
unter dem unerhört begabten Gast-Dirigenten Yuval Zaliouk. Der erstaunlich junge Israeli
ist ebenso wie der Solo-Cellist Raphael Sommer gegenwärtig in London ansässig. Mit
Werken von Haydn und Dvorak, vor allem aber mit dem einmalig virtuosen Konzert fur
Orchester des Ungarn Béla Bartók führte er das Orchester zu bisher nicht gehörten
Leistungen, die das Publikum immer wieder zu Beifallsstürmen hinrissen." |
Begeisternder
Pultvirtuose - Düsseldorfer Nachrichten |
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Informality in Arts
"Somewhere in our cultural history classical music acquired a reputation for
stuffiness, with musicians being clad in formal attire now rarely used in other social
situations and listeners sitting in their seats wearing frozen countenances and stifling
coughs except when unfamiliar music is being played.
"... However, two recent musical events in Toledo were welcome changes from
the stiffness and formality often associated with classical-music performances.
"One was the concert by violinist Itzhak Perlman," ... "The other
event was an appearance by the Toledo Symphony Orchestra.
"... Maestro Yuval Zaliouk, while not exactly a Victor Borge in his sallies at
humor, nevertheless entertained a house full of young and old listeners with a
"pops" assortment. He interspersed the numbers with musical quizzes directed at
the youngsters, invitations to young people to come up on stage, and short commentaries on
the pieces about to be played. ..." |
Pages of Opinion, The
Toledo Blade (Toledo, Ohio USA) |
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Rare Magic and Excitement
"Yuval Zaliouk unfolded the enormous span of the opening largo with
such skill that the tension never sagged over its 20-minute duration." |
David Blount, Express
& Echo |
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Masterpiece Gets Full-Bodied
Performance
"... It was gratifying to see Carn Brea so well filled for what might
appear to be a less popular programme. With the Bournemouth Symphony Orchestra in such
splendid form under their guest conductor Yuval Zaliouk, making his first appearance with
BSO, one has every confidence in enjoying a first-class performance whatever the
programme." |
West Briton & Royal
Cornwall Gazette |
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High Note Concert on Emotional Night
"It must be said at the outset that last night's performance was one
of the best I have ever heard from the Bournemouth Symphony Orchestra.
"Conducted by Yuval Zaliouk, the first concert of the winter series was also a
time for contemplation, opening as it did with Elgar's Nimrod Variation played in poignant
tribute to the ten Royal Marines bandsmen who died in the Deal bombing. ..." |
Elsie Pope, Evening
Herald |
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With a Strong Hand and a Pointed Baton
"This evening belongs to Yuval Zaliouk and his firm leadership of The
Haifa Symphony. Together they produced a lot of good music. ..." |
Ron Levi, Haifa Kolbo |
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Successful Combination
"This concert was a successful combination of an unpretentious
programme, an energetic and experienced conductor and a pleasant soloist, all producing a
well coordinated performance. One could really feel an emotional readiness on the part of
the members of the orchestra, a feeling that was conveyed to the audience as well.
..." |
Itzhak Barzam, Ha'Aretz |
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Symphony's Lustre Restored
"... Last night, under the galvanizing leadership of guest conductor
Yuval Zaliouk, the orchestra sounded in fine health. Indeed, the ensemble played with a
zest and tonal luster that surpassed anything I have ever heard from it.
"The qualities that distinguished Zaliouk's conducting were apparent in the
opening selection, Beethoven's "Leonore Overture No. 3." He has a very keen ear
and the ability to deploy subtle shades of volume. Soft dynamics were ravishingly pure and
clear, tutti fortissimos blazed with controlled power.
"... It has been noted often that the North Carolina Symphony concerts draw
poor crowds in Greensboro. If Maestro Zaliouk were on the podium on a regular basis, I
predict this situation soon would change." |
Bill Trotter, Greensboro
Record (Greensboro, North Carolina USA) |
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Symphony At Its Best
"If the Edmonton Symphony Orchestra is looking for a music director
with style, energy, and the ability to persuade the players to play as well as they can,
it need look no further than Yuval Zaliouk.
"... In brief, Zaliouk had the ESO creating music, not just playing the notes.
The orchestra has seldom sounded better.
"... Zaliouk's conducting style is technically clear and entertaining to
watch. ..." |
Gary Norris, The
Edmonton Sunday |
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Israeli Conductor Leads Symphony
Through Exciting, Sensitive Classics
"A program in the classical tradition received an enthusiastic
response in Memorial Auditorium Saturday night when visiting Israeli conductor Yuval
Zaliouk and the N.C. Symphony performed music by Beethoven, Mendelssohn, and Sibelius.
"... A man of medium physical stature, Zaliouk projects an interesting
combination of precision, sensitivity, and complete control of the orchestra.
"... Zaliouk managed to underscore the deep-seated romanticism that pervades
Sibelius in the orchestra's heart-pounding conclusion to the second movement..."
"... The high point of the evening, however, came with the delightful
rendition of Mendelssohn's "Italian Symphony, No. 4." The conductor seemed
totally at home with the delicacy, lyricism, and wicked tempos of this melodic
composition, and the string section soared through its highly spirited first movement with
an enchanting verve under his baton. ..." |
Jo Ann Pizer, The News
and Observer (Raleigh, North Carolina USA) |
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Insight Shown
"Although still a young man, Mr. Zaliouk's interpretations showed the
fruits of deep and intense thought, enormously developed musicianship and insight, and
complete control of the orchestra.
"Although he and the orchestra were new to each other, it was immediately
obvious that they were in complete sympathy, with the result that we had really first
class playing throughout the whole concert. ..." |
Dr. W. Lovelock, The
Courier-Mail (Australia) |
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This Concert Was Passionate
"A number of adjectives come to mind to describe last night's
orchestral concert the fifth in the Red Series. Exciting is one; or masterly; or
passionate; or even, inspired. All have a claim to acceptance, but the most descriptive, I
believe, is passionate.
"All stem from the one main source the dynamic work of visiting
conductor Yuval Zaliouk.
"He is a man of superb musical understanding, never in less than complete
control of the orchestra, directing all with a clean, incisive beat and indubitably
inspiring the Queensland Symphony Orchestra to give its, what must be said of last night's
performance, magnificent best. ..." |
Frederic Rogers, The
Sunday Mail |
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